S E R V I C E S

Tailored to each client

Whether you are a private collector, a public institution, an art market professional or a private individual, my services are adapted to each client's needs, for the good of the collections.

My training in preventive conservation coupled with my specialization in contemporary art offers a variety of knowledge and skills adapted to the preservation of a wide range of materials.

The workshop is based in Annecy, France. But as I am a nomadic conservator, do not hesitate to contact me whether you are in France, Switzerland, Germany, Italy or elsewhere. Free estimate.

T H E S T U D I O

Evaluation and Diagnosis

I assess the condition of the work, identify the materials and any damage, and then draw up a precise diagnosis to determine what work needs to be done.

Conservation and Restoration

For displaying, storing and transporting objects.

For the treatment of one or more damaged or fragile works.

I offer personalised advice for the preservation of restored works, guaranteeing their long-term conservation.

Preservation Consulting

A few examples...

To discover the restorations I have undertaken in the past, feel free to explore the portfolio section.

P R E V E N T I V E C O N S E R V A T I O N

R E S T O R A T I O N

  • Surface cleaning and removal of exogenous products

  • Material consolidation

  • Crack and Break Repair

  • Chemical Degradation Treatment

  • Retouching, enrichment of the aesthetic value

  • Filling and reintegration

  • Polishing of plastic (PMMA)

  • Care and cleaning of corroded metal

  • Condition report: complete inspection of the condition of a work, diagnosis and prognosis (impact of alterations on cultural values)

  • Analysis of alterations and their origin

  • Proposal of an intervention project

  • Recommendation and maintenance

  • Tailor-made packaging

  • Documentation

  • Climatic study; analysis of the work's environment

I have had the opportunity to work on a variety of materials, from plastics (plexiglass, polyethylene, polyester) to metals (archaeological and modern) to organic materials (wood). Each work is unique and requires a diverse knowledge of material chemistry in order to give them the appropriate care within the deontological rules of conservation.