EDUCATION AND WORK EXPERIENCE

2015 - 2018 Bachelor of Arts HES-SO, conservation, major in scientific, technical and horological objects

Mar. & Aug. 2024 Exhibition mounting - supervision and conservation

Documentation of the installation and de-installation process, condition reports and preventive conservation of the sculptures (glass, gold, rubber and aluminium) as part of the exhibition ‘Roni Horn: Give Me Paradox or Give Me Death’.

Jan. 2024 - current position - 40% Artist Assistant

Edgewood SA Nathalie Rodach, Genève

Conservation and restoration of artworks, organisation of the studio, preparation of materials, technical support, inventory management, assistance with installation and exhibitions, marketing and promotion.

Sep. 2023 Exhibition set-up - condition report and installation

Pirelli HangarBicocca, Milan

Condition report and installation of the work The Thinking Field by James Lee Byars - 100 marble balls, for the exhibition around the artist.

May-Jul 2023 Exhibition set-up - supervision and conservation

Museum Ludwig, Köln

Documentation of the installation process, condition reports and treatment of 4 large-scale installations as part of the "Über den Wert der Zeit" exhibition, highlighting the Museum Ludwig's contemporary art collection.

Mar. 2023 Supervision and documentation for an exhibition set-up

My Art Museum, Seoul

Condition report and exhibition of 12 sculptures and 3D objects by Picasso, Warhol, Lehmbruck and many others. This work was the occasion for an analysis of the terrain and the climate of the exhibition space (preventive conservation).

Jan. 2023 Supervision and documentation of a work installation

Kunst Museum Winterthur, Winterthur

Documentation of the installation process of the work It's Beyond Me, by Oscar Tuazon, in the context of the exhibition Building around the artist.

Sep-Dec 2022 Scientific research project

Museum Ludwig, Köln

Study of the visual and chemical impact of bare hand contact on metallic paint coated surfaces

2021 - 2022 Conservation and Restoration trainee

CollectieCentrum Nerderland, Amersfoort

Treatment of 4 mixed media sculptures involving, among other things, the complete restoration of a work in fibreglass-reinforced polyester, wood and concrete (cleaning, consolidation, filling, retouching) and the treatment of a work in PMMA (cleaning, adhesion, polishing, retouching).

Jan. 2021 Collaborator in conservation

Collection de l'Art Brut, Lausanne

Supervision of the dismantling of the temporary exhibition on Willem Van Genk for the return of the works belonging to the CAB. Condition reports and crating.

Jan-Mar 2019 Preventive conservation collaboration

Bureau de conservation préventive Thierry Jacot, Genève

Participation in the climatic study of the conservation areas of the Musée Voltaire in Geneva. Realization of a spatial study of the reserves of the Bible and Orient Museum in Geneva.

2018 Conservation assistant

Collection de l'Art Brut, Lausanne

Assistance in setting up the exhibition "Art Brut du Japon, un autre regard". Restoration of photographic works. Participation in moving works, carrying out condition reports and packaging.

Jun-Aug 2018 Training in preventive conservation

Museo della Scienza e della Tecnica, Milan

Creation of tailor-made packaging for the "Jewellery" section. Creation of pedestals for books in the permanent exhibition. Cleaning and restoration of the watch section.

Sep-Dec 2017 Collaborator in conservation

Espace Nicolas Schilling and Galerie, Neuchâtel

Participation in the setting up of temporary exhibitions in the gallery.

Jul-Aug 2017 Training in conservation and restoration

Musée-Château, Annecy

Setting up and dismantling of exhibitions. Carried out a complete climatic study of the Château over 2 months. Cleaning of archaeological and ethnographic objects.

2019 - 2021 Master Conservation and Restoration of cultural heritage, specialized in contemporary art

Universiteit van Amsterdam, Amsterdam

Authorised to work on the collections of the Musées de France

E D U C A T I O N

E X P E R I E N C E

M Y A P P R O A C H

Contemporary and modern art present conservation challenges that motivate and fascinate me. During the conservation process I seek to work in collaboration with artists, art historians, art handlers and above all, with you. By establishing your needs at the beginning of the exchange, it is possible to formulate suitable, ethical and realistic preservation proposals.

I believe that preventive conservation is at the heart of the preservation of a work. It requires a suitable environment, before and after treatment, to ensure its longevity. Temperature, relative humidity, light and pollutants are all factors that can harm the materials that make up an object.

The better the understanding of the materials and their environment, the better the treatment!